The parking at Bonaventure sucks…but it could be better.

In one of our last classes we discussed how unfair the parking system is at St. Bonaventure. I was pleased to know that my fellow classmates agreed that the whole situation just isn’t fun. Parking isn’t the greatest for students who live on campus, especially for those who don’t live in Shay or Loughlen Halls, and even then, it can get frustrating. The fact that the closest overnight parking for on-campus students other than the limited Shay/Lo lot is by the tennis courts is annoying.

To read about where students, visitors and employees can currently park click here.

When talking about it with friends, I jokingly said there should be a march on campus with people chanting, “We are the people who live here!” It seems to me that employees can get better parking than the people who actually pay to live on campus. I believe that professors and other faculty members should be allowed the spots that are currently set aside for them, but I do not believe these lots should be closed off from students during the evening and during the weekends. If a faculty member parks in student parking, would they get a ticket? I’ve never seen or heard of it happening.

Above is a map of the Bonaventure campus that is given to students who purchase parking decals. The lots that aren’t in red surrounding buildings 26, 21, 22, 19, 18, M, D and C are for employees.

This is where it gets tricky, though. If the school allows students to park in faculty spots during the evenings, what’s most likely to happen is that students will forget to move their cars by the next morning, resulting in more tickets. So, either make students understand that they will have to move their cars by midnight or morning, or only have faculty spots available to students during the weekends. I think the latter would be a good compromise.

New parking rules could be as follows:

  • All student and employee spots from 5 p.m. Friday to midnight on Sunday can be taken by employees or students. Those who do not have proper decals or are parked in visitor parking spaces will be given a ticket. Visitor parking will remain the same during the weekends.
  • All parking spaces on Bonaventure Road are available for employees, visitors and students after 5 p.m.
  • During basketball games, all lots not set aside for visitors/ticketholders will be available on a first come, first serve basis.
  • Rules for handicap parking remain the same.

Some students suggested not allowing freshmen to bring cars, but unfortunately, I believe that would hinder progress. Freshmen being allowed cars is a big selling point for Bonaventure, at least, I know it was for me. Only allowing honors students certain privileges would also be hindering, no matter the good intent. In the grand scheme of things, I believe the changes above are minor, but gives more freedom to students who have certain concerns.

The only reason I would not have faculty spots become open to students during the evenings is because I think there would be more tickets flying around. Students will forget to move their cars before heading in for the night and the cars would be left in the mornings, making them susceptible to tickets and preventing employees to get reasonable spots.

Also, the second bullet addresses the current concerns of student athletes. Though there is no promise of them getting a spot, there is more of a chance for them to get a spot during practice times. Another possibility for this problem is to only allow faculty and student athletes the parking spots on Bonaventure Road after 5 p.m. To make sure this works, there would have to be a new parking decal created specially for student athletes.

Through these modifications I hope that students will be more satisfied with the parking at St. Bonaventure. If employee and student spots are ever available to visitors (other than during basketball games), this will lead to frustration to both employees and students. If visitors have more “power” over parking than they do right now, employee and student parking could be taken over by visitors. I only decided to make visitor parking remain the same due to how many people actually visit St. Bonaventure campus (which is a surprisingly large number).

No doubt, students would benefit the most from these changes. During basketball games, others could benefit from the changes, as well. To keep everything tame, though, the normal parking restrictions would have to be put back in place two hours after the game, at most, just to make sure visitors without parking passes aren’t bumming around campus.

I don’t believe the system modifications I created above are necessarily hindering. The system that is in place now is hindering. To make this system work, it would heavily rely on Safety & Security and whoever else gives out parking tickets. Parking restrictions would have to be as strict as they are now.

Overall, this system will benefit the community that lives on Bonaventure campus. Considering students are the ones who pay to attend Bonaventure, the parking system should benefit them the most. With the class sizes growing larger, parking will become more of an issue and it’s important to make sure that it’s working for everyone.

An analysis on Wicca

Now, before I get into this and for complete transparency, I was raised a Christian, with my mother being Episcopalian and my father a non-practicing Muslim. I really didn’t give much thought to religion until I entered, ironically, a Catholic university. I took one class in particular that really made me question a lot of what I was told growing up, with its main focus being on monotheistic beliefs. During this class I began to wonder a lot about polytheistic beliefs, which were not taught or mentioned in said class. I became mostly curious and interested in Wicca, a neo-pagan religion, or a “nature religion,” as some practitioners like to call it.

I’m not going to go in depth as to what they practice, you can do that on your own, but for the sake of this class I will analyze it. One of the first questions mentioned by the Allison Parrish prompts was ‘who gets to use this system?’. Freedom of religion in the U.S. allows anyone to practice whatever religion they want, but when I look at it in the context of Parrish’s discussion on hacking and the exclusion of Margaret Hamilton, a woman, I wonder what biases Wiccans may have about other people, or perhaps, biases people have about Wiccans.

Gerald Gardner, the “Father of Wicca.”

One of the first things I noticed during my research of Wicca was that most of the practitioners I saw online were women, though many Wiccans use the likes of Scott Cunningham and Gerald Gardner as guides of the faith. Wicca does attract women, that’s for sure, but I believe that’s only due to the emphasis on duality. There’s a “goddess” and a “god” which are equally worshipped…and perhaps that’s why some men are turned off from it. Due to many women practicing the faith openly, though, I can see why people assume that the religion is for women and not men. This isn’t the case at all.

“[I]t seems illogical and counter-productive to relegate the God along with male practitioners to a minor role in other Wiccan rites. While I am certainly not advocating the dissolution of all female-only covens, I DO encourage them to give some serious consideration to allowing serious male practitioners to participate in their rites. This would present many opportunities for fellowship and the sharing of knowledge, which would surely outweigh any perceived disadvantages,” said Morgan Ravenwood at WitchVox.

Asking myself about the hindering of access, I really do think that to people who don’t know much about the religion can quickly assume that it’s some sort of “secret cult.” There is plenty of information about Wicca online, but I think that it’s also safe to say you’ll have to buy some books to fully grasp it at times. Studying the religion truly helps one understand it better and that personally goes with all religions. For example, as a Christian who picked up the Quran, I learned a lot of things I didn’t know about before. Though a born and raised Christian, I defended Islam so hard in class one time, my professor asked me if I was a Muslim afterwards. I’ve learned that it’s easy to defend a religion when you know more about it.

Learning about Wicca, I’ve discovered that there is no “canon” book that one can just look to for all questions asked, neither is there one path. So, when you’re a solitary practitioner, it can seem a bit difficult to find your way, especially if you don’t know anyone who practices the faith personally.

The late Scott Cunningham, “an ambassador of the pagan way of life.”

In fact, many practitioners today look to the writings of Gardner and Cunningham for information and advice. Gardner is regarded as the “Father of Wicca” and many traditionalists look to his writings. Cunningham appeals more to the “newer” generation of Wiccans and is way more understanding in his writings, answering questions like “should I practice when I’m sick” and “do I have to tell my landlord what I do on full moons?”

As for there being no set canon, many practitioners use Gardner’s book of shadows, but covens may use a grimoire, or something far older than Gardner’s text as reference. Solitary practitioners often look to Cunningham’s text about Wicca and the craft. Many practitioners, though, create their own book and compile all of their knowledge about the religion and its rites into one or multiple books. To make a long story much shorter, each practitioner finds their own path, involving study, prayer, meditation and practice, not just one book. The internet makes it much easier, though, for people to find their way in the religion.

The main “rule” that all Wiccans follow, though, is the threefold law. Whatever you put out into the universe, positive or negative, will come back to you three times. As the Wiccan Rede states, “An ‘ye harm none, do what ye will.”

For the most part, I’ve found the Wiccan community to be quite inviting. There are definitely misconceptions about the religion, and I urge people to research Wicca as well as any other religion you have questions on.

Here are a few misconceptions about Wicca that I thought I’d just throw in for the heck of it:

  • Witchcraft and Wicca are the same thing
  • Wiccans worship the devil
  • Wiccans sacrifice animals and humans
  • Wiccans have a “dark Bible”
  • Pentagrams are the symbol of the devil

Misconceptions about Islam

Misconceptions about Christianity

Misconceptions about Judaism

Misconceptions about Hinduism

Misconceptions about Buddhism

Misconceptions about Satanism

Misconceptions about Taoism/Daoism

The list can go on…

Misconceptions about the human psyche 

Time and Space: A Mixtape

time and space
Image by Amber Canbek

Originally for this project, I wanted to create a mashup video much similar to ones I’ve done in the past. I was either going to do “Nocturne No. 2 in E flat Major, Op. 9,2” by Chopin playing over silent film scenes or “Elvis” by Lana Del Rey playing over Presley family home videos. Due to time constraints and having to layout an entire student publication by myself, I opted to create a “mixtape” of sorts.

My main purpose for this remix work was to showcase how sounds and artists of the past influence the works we listen to today. The odd numbered songs in the playlist were the songs of the “past” and the even numbered songs are pieces influenced by the song before it. I found that I was most successful in the lineup of the songs. I was inspired by Al Shipley’s article in Complex when he was describing people having to flip the cassette tape or vinyl record. The listener could take a break from the music and listen further later, if wanted. “Side A” of my mixtape (the first six songs) are more upbeat, whereas the songs on the B-Side are more mellow in tone and progressively get slower in bpm.

One of the difficulties I faced, though, was selecting the actual songs. There were two artists in particular I KNEW I wanted to feature on the playlist, and that was Fleetwood Mac and Lana Del Rey. The other artists I chose were artists I’ve previously listened to, but to create a connection between them all, I had to do a bit of research. The songs by FM and Del Rey I had to choose based on what artist and song they were paired with, which was also difficult. For example, I originally was going to have FM’s “Dreams” followed by the Dixie Chick cover of “Landslide,” as the final two songs on the playlist. I decided, though, that it would be much more fitting to end the playlist with Billie Eilish, who is the youngest out of all of the artists.

Most of my time on the playlist was spent actually listening to my options and my playlist from beginning to end, perfecting it. I also spent a bit of time researching who influenced who, which came mostly from interviews with the artists and music reviews. The beauty of the playlist, though, is that several of the older artists influenced more than one of the younger artists. For example, FM not only influenced Florence Welch, but also Lana Del Rey and Harry Styles. Lana Del Rey herself influenced Billie Eilish and worked with Stevie Nicks of FM, as well as Florence Welch. The Rolling Stones, Led Zeppelin and The Beatles were also major influences for different members of FM. So, a lot of paths were crossed.


Many people from this generation will recognize the opening guitar chords of both “(I Can’t Get No) Satisfaction” by The Rolling Stones and “Do I Wanna Know?” by the Arctic Monkeys. It’s been noted by several music critics that the Arctic Monkeys sound is a modern take on The Rolling Stones, and eerily similar.

The most similar, though, out of all of these pairings are “Immigrant Song” by Led Zeppelin and “Highway Tune” by modern rock band, Greta Van Fleet. Ever since they hit the main stream scene, comparisons have been drawn between Greta Van Fleet and Led Zeppelin. The band has admitted to being inspired by Led Zeppelin, with the main vocalist having a similar sound to Robert Plant.

Florence Welch’s stage persona has been compared to that of Stevie Nicks for years now. “It’s pretty much my favorite song of all time,” Welch said before performing a cover of “The Chain” at Glastonbury, “All of my heroes are in this band.” Welch has also covered “Silver Springs,” before as well.

“Ship to Wreck” has the same freeing energy and angst as “The Chain.” A match made in heaven, if you asked me.


As I mentioned before, the “B-side” of my mixtape takes a more mellow turn. Beginning with the iconic tune “Hotel California” by the Eagles, the beat is instantly recognizable and makes the listener interested. Harry Styles has been noted to attend several Eagles gigs and is listed as one of his greatest influences. Though “Sign of the Times” doesn’t have a memorable guitar solo like “Hotel California,” the lyrics are quite similar in their almost prophetic meanings. Both songs are about a journey of sorts, a type of “go forth” vibe.

Also mentioned before, Harry Styles was also greatly influenced by Fleetwood Mac, who he has performed with before. Fleetwood Mac’s Rumours album was the 1978 album of the year at the Grammy’s and stayed at number one on the Billboard 200 for 31 non-consecutive weeks, only being usurped once by Hotel California. In the ’70s, Fleetwood Mac and the Eagles were known to be in a friendly competition. Lead vocalist, Stevie Nicks, has worked with all of the Eagles at some point during her career, and even dated a couple of them in her time.

“I think they were a defining moment in the rock n roll world that I love. You couldn’t really love the Eagles music and be an Eagles fan and actually know them and not aspire to greatness yourself,” said Nicks in an Eagles documentary.

As “Sign of the Times” ends, a more hopeful and recognizable tune begins to play. “Here Comes the Sun,” written at Eric Clapton’s house by George Harrison, is one of the most well-known Beatles songs. The song following it, “Tomorrow Never Came” by Lana Del Rey, actually references the Beatles and was a duet with John Lennon’s son, Sean. The song certainly alludes to the Beatles’ “Tomorrow Never Knows” and is believed to be a sequel to it.

“And I could put on the radio/To our favorite song/Lennon and Yoko/We will play all day long/”Isn’t life crazy?”, I said/Now that I’m singing with Sean,” Lana croons in the bridge.

There is definitely a sense of nostalgia written within the song. Also featured on the Lust for Life album is “Beautiful People, Beautiful Problems,” which Del Rey sings with Stevie Nicks.

Along with Lana Del Rey, The Neighbourhood is one of the younger influences on the playlist. Similar to “Tomorrow Never Came,” “Baby Came Home 2 / Valentines” is a sequel to one of their previously released works, “Baby Came Home.” The Neighbourhood has actually been known to work with Dey Rey, with an unofficial release of their song, “Daddy Issues,” having Del Rey on backing vocals.

Following “Baby Came Home 2” is “ocean eyes,” by Billie Eilish. The two songs have an ethereal and atmospheric sounds, with “ocean eyes” being the calmer of the two. The Neighbourhood’s album, Wiped Out, (which “Baby Came Home 2” appears on), is listed as one of Eilish’s most influential albums.

“It touches on a lot of different emotions at once,” said Eilish about Wiped Out. 

Eilish also listed “Baby Came Home 2,” “Without You” by Lana Del Rey and “Something” by The Beatles as a few songs on her Valentine’s Day playlist.

As mentioned before, many paths are crossed as far as musical influences go, with influences seeming to go through time and space to inspire artists of the future. Showcasing this phenomena was my main goal with this playlist. You can listen to all of the songs on the Spotify playlist below.


‘Savonarola Preaching Against Prodigality’: A man of the cloth or charismatic cult leader?

‘Savonarola Preaching Against Prodigality’ by Ludwig von Langenmantel

As I strolled through the Regina Quick Center of the Arts, the first piece I noticed was the giant “Savonarola Preaching Against Prodigality” by Ludwig von Langenmantel, an oil canvas painting looming above the stairs by the gift shop.

I’ve always been interested in Renaissance, Gothic and Romantic art, the latter of which this piece of art was created. Perhaps I was so drawn to it because it reminded me of the works I saw when roaming through the Vatican in the summer of 2016.

The focal point of the piece is Girolamo Savonarola, who the piece is named after, pointing towards the sky as if he is God reaching out to Adam, preaching before a “bonfire of vanities.” His followers (and critics) flock around him to hear what he has to say about the impending doom and the fall of the church.

Now, before analyzing the piece, I had to give myself a little history lesson to truly understand what the painting depicted.

A man with humble beginnings, Savonarola abandoned his family to become a Dominican friar. As a friar, he moved to Florence, where he served as the master of novices in the convent of San Marco.

Savonarola was more austere than his brothers in the convent, whom he often conflicted with, making him move from city to city. When preaching in the 1480s he found evidence of an Apocalypse and called for repentance. In the summer of 1490, Savonarola returned to Florence began to attack powerful factions and leaders of the world, Italy and the city. It was the fear of others that led to Savonarola’s rise, both politically and spiritually, in the merchant city of Firenze.

His sermons of destruction came to Florence during a crucial time. Lorenzo de’Medici, the de facto leader of Florence, was dying. Savonarola blessed Lorenzo on his deathbed, but his blessing could not save the Medicis from being expelled. He prophesied a great flood and a ruler from the north who would try to reform the church. When Charles VIII of France invaded, Savonarola’s prophecies seemed to be proving true.

Lorenzo’s son, Piero, failed to defend Florence, and the Medicis had to leave. Like a charismatic cult leader, Savonarola was Lorenzo’s successor in Florence government and reformed both politics and religion in the city.

Whoever was opposed to creating Florence into his image, Savonarola made them his enemies, condemning them and calling them tiepidi, the “worse.” The pope and Savonarola’s friends ended up denouncing him as a man who bought his office and an atheist.

In the summer of 1497, five men were accused of trying to restore the Medicis in Florence. When they were brought to judgement, Savonarola gave them no real help. The sentence was passed and the men were executed, thus making Savonarola an enemy of the Medicis.

Savonarola burned books and destroyed art, horrifying the Vatican and his own followers. He deceived himself into believing he was a prophet, similar to Moses. This, in the end, led to his own downfall.

Argument raged over Savonarola’s authority, as the pope threatened to excommunicate Florence. The government acted and Savonarola and his main supporters were arrested. Savonarola could not withstand torture and he admitted to never having any visions. In 1498 he was frocked, hanged and burned. His ashes were thrown into the Arno river, but some of his followers collected the ashes, his vestments, hair shirt and pieces of the gallows he died on. Sainthood was not in Savonarola’s future, however. He was no Thomas More by any stretch of the imagination and the fact that he was up for sainthood boggles my mind. Imagine Saint Jim Jones. You can’t, right? Perhaps comparing Savonarola to Jones is a bit of a stretch, but his charismatic appearance and cult following are enough to suggest that he was not a pure man of the cloth, but in fact an ambitious man who found fertile ground in the fearful Florence republic.

Jim Jones vs. Savonarola….uncanny.

Perhaps not so ironically, after his death, a cult was created under his name.

Langenmantel depicts Savonarola with as much darkness as the friar’s prophecies. Hooded like some type of dark lord, Savonarola’s eyes are rolled upwards, almost giving him the appearance of a man possessed. What’s even more eerie is the skull Savonarola seems to be holding close along with his dangling rosary. One of the first things I wondered when looking at the painting was whose skull it was. The eyes of the skull appear to be looking at Savonarola. Perhaps this is symbolic to the friar’s own death.

The women in the painting appear to be fearful, some from the nobility and others who look like the working class. The men, on the other hand, look skeptical. These depictions could just be a product of the times. Noble women did not necessarily work, so they were thought to have more time to focus on religious beliefs, while men focused more on politics. Noblemen at the time looked at each other with power in their eyes and similarly to Savonarola, they could fall just as quickly as they rose.

Reading about the history of Savonarola and his eventual downfall, I began noticing a lot of foreshadowing within the painting. As the painting was created centuries after the life and death of Savonarola, Langenmantel could easily symbolize his eventual execution.

To the left of him, most of the people appear to be at the will of Savonarola’s words, hanging on to every word. While those on the far right appear to be more skeptical of what he’s saying. If looking at the scene from left to right, it’s almost as if Langenmantel is predicting past, present and future. After all, it would be the critics of Savonarola who would pass his judgement.

Behind Savonarola, to his left, there appears to be someone in the back mimicking him. Could this be Langenmantel’s way of further foreshadowing the friar’s death? Just as Savonarola is pointing to the heavens, speaking of an Apocalyptic downfall, the onlooker in the back could be pointing to the friar’s downfall. Or, perhaps Langenmantel is telling the viewer that there are men like Savonarola everywhere; past, present and future.

One of the other things I found curious was the pile of riches at Savonarola’s feet. Throughout his life, Savonarola refused riches and all earthly pleasures. He prodded his followers to rid of material possessions and live for God. His bonfires of vanities pushed people to minimalism and living lives not defined by property. The way that they are piled at his feet, though, make it appear less holy, and more holier than thou. It’s as if Savonarola is an idol or some type of Firenze rockstar. The items seem to be at his disposal and the effect of their placement make it look like he’s standing above them, as if it were a mountain.

It is this pile of riches the part of the piece that I believe to be the most telling. Instead of getting rid of their possessions, Savonarola’s followers appear to be throwing them at his feet. It is on these riches that he rose and on those riches that he would fall. At the top of the pile appears to be a chalice of sorts knocked over, underneath it a material of red, almost making it look as if wine is being spilt. On the floor, red cloth spreads out, like a pool of blood. Blood of the past and future. The five men who were executed with no help from Savonarola was the blood of the past. The friar was not innocent and some could even argue that their blood was on his hands. As we know, Savonarola would face torture and death, hence, the blood of the future.

One of the women in the painting kneels before Savonarola, holding above her head a crown, as if presenting it to him. If Savonarola preaches about a “bonfire of vanities” why isn’t she tossing it into the pile? Instead, charismatic-cult-leader-esque man he is, is doted upon by his followers. It’s as if giving their livelihoods away to Savonarola will ensure their spot in heaven.

Being a bit of a Renaissance buff, when reading about Savonarola’s life, I found his ties with the Medicis somewhat ironic. He blessed Lorenzo, but helped in expelling the rest of the Medicis in Florence. The Medicis hated him for it, but like many, the Medicis were not exempt from believing in religious prophecies. Catherine de’Medici came to mind. Catherine ended up marrying King Henry II of France after becoming one of the last of the Medicis, an orphan.

Catherine became a fan of Nostradamus, famous for his prophecies. She supported him so much that she made him a Counselor and Physician for the royal household.

Catherine de’Medici and Nostradamus

The Medicis hated Savonarola and spat on his name along with his prophecies, yet one of their most powerful and notable members heavily believed in a man known for prophecies.

I digress…

Overall, I found Langenmantel’s painting extremely interesting, as it struck me to do hours of research on the life and death of Savonarola, someone I previously knew nothing about. The painting presents the reality of men like Savonarola. They are small and weak, hiding behind their pile of riches and charisma. He was not the first of his kind, though, or the last. History repeats our whole damn lives, in some way or another. The past, present and future are all laid out in the cloth, we just have to look for it.

A soapbox moment

I think a general statement that we can all agree to is that people use social media to benefit no one other than themselves, only presenting what they want others to see. There is a sort of narcissism that comes with using social media. We want to show the world what is going on in our lives that is working well for us, not necessarily the down falls. This ends up with us feeling a sense of gratification when we get social approval via likes and comments on what we post.

There is no selfless good deed, especially in the digital realm. Any money you donate via Facebook or crowdfunding website makes you feel good about yourself. Even if you make your name anonymous for the donation, you still end up feeling good about what you did.

Considering we can all recognize and realize that we appear to be these awesome people with great lives, recently people are calling others out for not being “real” enough. YouTube and Instagram come to mind when I think of this.

Famous YouTuber Shane Dawson used to do comedic skits and random videos on fast food, life hacks and conspiracy theories. In 2018, Dawson became one of the fastest growing YouTubers due to his different docuseries and projects which went into the lives of other famous YouTubers to show his audience the “real” them. The people that were featured in his series in 2018 were YouTubers who were hated or had recent drama/controversy. He pushed them to show their “true” selves to the world and that would make audiences like them more.

Though Shane Dawson’s docuseries are fun and interesting to watch, are they really successful? Many of the YouTubers who are featured on Shane’s channel grow exponentially as they gain millions of subscribers overnight due to the limelight. So although Shane is searching for the “truth” and “realness” behind these YouTubers, he is only helping them gain popularity and stardom, even if it’s unintentional.

The video below is a part of one of Shane Dawson’s docuseries as he goes to the house of Bunny Meyer, known on YouTube as grav3yardgirl. Meyer’s channel was considered ‘dying’ as her viewership went down. Dawson tries to help her remedy that by showing her “real” life.

People on Instagram get called out for using FaceTune to slightly alter how they appear in photos, for “flexing” (showing off one’s wealth) and being too “picture perfect.”

So, on both platforms, people are being called out for not being “real” enough.

But then there are social media stars like Trisha Paytas. She posted a video of her crying on her kitchen floor over her boyfriend’s infidelity and in the comments, people are calling her a nutcase and insinuating her feelings aren’t valid. I personally believe Trisha Paytas’s video was an actual representation of how she felt. For someone who is used to taking her camera out and documenting her life, I didn’t question the validity of the emotions she “portrayed” in her video.

The video has since been deleted from Trisha’s channel, but below is a re-upload..

So, why did people say her feelings weren’t valid? Why did people claim she was being over dramatic? Perhaps not many people would post a video of themselves having an emotional breakdown on their kitchen floor, but I am sure many people would feel the same way as Trisha if they were in her situation. Were they calling her over dramatic because of her large following? Possibly.

The video of her crying on the kitchen floor became a meme and is now a part of Trisha’s “brand.” Though people called her over dramatic and left her other nasty comments, Trisha rose in popularity due to her mental break and eventually was a part of the UK’s version of Big Brother. Within a year, she became international.

So, one could argue that being real on social media allows you to rise in popularity, but is this really being “real” if you’re gaining followers? Or does the popularity negate your realness? Food for thought.

Many people post on sites like Instagram and YouTube to get some sense of gratification. In this day of age, people can make millions (billions, for a few) simply by making a post. Other people watching them become richer and richer fuels behavior to please other.

Sites like Twitter are not exempt from narcissism. In Jim Brown’s article, “Unhealthy Infrastructures,” he takes a look at quote tweeting. This is what I like to call, “Drawing upon your audience to make your arguments for you.” People who are debating something may use quote tweeting to draw their “opponents” responses to their audience. In this way, Twitter has basically become a room where everyone is screaming at each other.

People who quote tweets to their audience is like a bounty hunter letting their dogs take chase. Snarky comments to one another become public and those who quote tweets are basically saying to their audience, “Look at how funny I am” or “I can make sick burns.” Thus, it’s all about self-gratification.

Here is an example of a very intellectual argument made via quote tweeting:

Image result for quote tweet tana mongeau bryce hall

Now, I’m not disregarding the upsides of quote tweeting, which include richer conversation, context, clarity, etc. People use it to make funny jokes, political statements and voice their disgust on a subject.

Lives and careers have been destroyed by quote tweets in one fellow swoop (Laura Lee and Kezia, for example).

Not only can social media destroy careers, but it allows others to receive some type of gratification by participating in their fall, i.e. “dogpiling.”

Though social media allows us to have conversations with people that we might not have an opportunity to meet in real life, some of these platforms hinder the opportunity as we are not talking to these people face-to-face. We do not know what some people are going through or even look like, thus they have a type of omnipresent veil over them. It’s easier to dehumanize someone when you’ve never seen them before. This makes it easy for people to name-call, bully, threaten and dogpile. An environment that is dehumanizing can lead to a toxic environment where conversation seems impossible.

Now let me step down from my soapbox and stop talking about how social media is the root of evil like your grandma, but I beg you to take a step back before the next time you post something on your social media. Ask yourself, “Why am I posting this? What’s the point?”

Digital Reflection

Ever since I was a kid I have always loved to write. I’ve written creatively for as long as I can remember. When I got into high school, I began writing for my school newspaper as I believed that I probably could not get a job in writing unless it was journalism. I ended up becoming the editor for my school’s paper and then I worked part-time as a journalist for my local paper.

I applied to Bonaventure as a journalism major and then after the first semester I switched to strategic communication. It was at Bonaventure that I realized my true passion, which surprisingly, wasn’t just writing. I loved telling stories creatively, not only through writing, but through design as well.

At Bonaventure I began working as a writer for the radio station’s magazine, The Buzzworthy. Today, I’m the director of the Buzzworthy. Being able to write and design The Buzzworthy myself made me realize that creating a product for others to enjoy and understand was what I loved to do. In this way, writing has really helped contribute to my identity as it’s one of my greatest passions.

Today I do most of my writing digitally, while when I was in elementary and middle school, I always wrote my creative pieces on paper before typing it up on a Word document. One of the biggest differences I noticed between writing digitally and writing traditionally was how I felt while writing.

When writing traditionally, I wrote believing and knowing that the piece was only a first draft and I would go back and revise it later before anyone read it. While writing, I felt more connected to the piece as I put pen (or pencil) to paper. Having something physical to hold can make one feel more connected to whatever it is they’re holding. I find this to be especially true with writing and reading.

On the other hand, I find when writing digitally, I become more distracted by other applications on my computer or phone. Also, while writing I find that I’m thinking more about others reading my work. When writing digitally I write as if what I’m writing will be the final copy. I’m more of a perfectionist with my work when writing digitally and this can be a block for the creative mind.

Throughout my college career I have been producing work digitally not only for personal projects, but also for clubs and businesses. The past two summers I have marketed Oswego Harborfest, one of the largest free music festivals in the state. I’ve designed and created programs and posters for the festival, as well as publish to its social media accounts and website. In this way, creating content digitally is my job. The same goes for the Buzzworthy, which I design and write for. The end product of my labor is then consumed by hundreds of people as it is printed and published online.

By producing these works, not only do I benefit from it (as it’s added to my portfolio), but the people who “consume” it and the organizations that I create for benefit as well. My contributions to Oswego Harborfest and the Buzzworthy give the two businesses advertising, in a way. The work that is printed and published digitally and physically bring awareness to the two brands. Those who view and consume my work also benefit in that their minds become stimulated and they can gain information from what myself and others have written.

When creating digital content, I have used various social media platforms including Snapchat, Instagram, Twitter, Tumblr, YouTube and Facebook. I have also used Microsoft Word and Publisher, Adobe Creative Cloud, Canva, WordPress and more. I have used pretty much all of these digital resources for personal, professional and creative purposes.

Although it seems many people want to jump on the “technology is evil” bandwagon, I personally find the writing platforms I use to enhance my life. Using various tools, I am able to interact with others in ways that I could not if social media and the online didn’t exist. Tumblr and Instagram are probably my two favorite social media platforms in that I can write at length if I wanted to and I am personally inspired by other content creators. Both Tumblr and Instagram have so many different tags that I can find content that I’m interested in easily. In many ways, I use social media as a creative stimulant.

In many ways I am a consumer of digital culture. Heck, pretty much anyone who opens a screen is a consumer of digital culture. I believe I consume the most digitally is when I’m on social media, including YouTube. Those who benefit from my consumption are content creators who receive AdSense and paid partnerships.  Whenever I click on a link that they share or simply scroll past one of their posts, they make money.

So far, digital technologies have played a huge part in my academic discipline and future profession. As I work to become a digital marketer and strategist, I have to use digital technologies every day.

Christmas Throwback

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Christmas for me is about spending time with family and making memories that will be remembered for years to come.  This year, I wanted to look back on old photos of myself and family and reminisce of times past.  At this time of the year, I’m stressed and worried about all of the work I have to do for classes and studying for finals.  Hell week leaves me feeling over my head, but I’m thankful to my mom for sending me these photos.  They remind me of all that I have to look forward to when I return home, which is exactly a week away now.  

When both my brother and I were little I remember laying in bed and whispering about when we thought Santa would come and he would gift us with that year. On Christmas Eve, we usually went to my stepdad’s family’s house, have a huge lobster dinner with fondue and at the end of the night, “Santa” would stop by and give us gifts.  One year, all of the girls received a huge Ulta makeup box, which influenced me getting into makeup and experimenting.  Those Christmas Eves were the ones I would remember the most, as they were so much fun!

On Christmas Eve, my brother and I would both be excited about seeing our first cousins, Madison and Brandon, who we love spending time with. We knew Christmas day would be filled with fun as we played with the toys we received from Santa and family alongside our cousins.  We’d listen to Christmas classics, giggle as we played and pick off bits of the turkey as my grandpa cooked it. When we had white Christmases we’d run outside to play in the snow, one time in bathing suits!

I really hope you are all having a lovely time this holiday season, and remember the important things in life.  Eat lots of cookies, cuddle up and watch as many festive films you can before the season is over, and most importantly, relax and be happy around those important to you.  

If you liked this post, please give a like or follow! Also, if you have any favorite Christmas memories, please share them in the comments below! I’d love to read about them 🙂



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